Writing the Gilmore Girls

We all have different opinions about the Gilmore Girls Netflix episodes. I think in many ways, the negative responses are an oddly positive sign of how far we’ve come in what we demand of our television shows. Yes, it is basically a show about privileged white women. That has its set of problems and many of those problems have been exasperated in the past decade. However, while the body shaming in the pool scenes was an off-note, it doesn’t detract from the years of positive representation of Miss Patty and Sookie. Never once did the show cast any aspersion upon their weight – they were whole, successful, sexual, and attractive figures. And while there could be more diversity in the casting, that doesn’t take away from what great characters Lane and Mrs Kim, Michel, and even Gypsy and Ceasar have been. I’m also tickled pink to see Lin-Manuel Miranda tweeting about watching the series from the start – I like a nice cultural convergence!

And, honestly, being a musical theatre geek, no, the Stars Hollow musical scenes are not too long. They are perfect. I love them.

However, that’s not what I wanted to write a quick blog post about. Rory’s story in the revival has been the most criticised. Often justly! There’s no denying that she is annoying and we all wanted better from her and for her. I cringed the moment I realised she was with Logan. The bit that particularly intrigued me, though, was Jess’s suggestion that she write the story of the ‘Gilmore Girls.’

I found it oddly satisfying and very frustrating. It felt like a perfect beat, echoing Little Women and Anne of Green Gables. The heroine is stuck, seemingly rootless and directionless, and a man tells her ‘write what you know.’

Of course, two problems. First, a man tells her – why is it always a former or current love interest?* Seriously? Why do they need the man to sweep in and tell them what to write? Secondly, write what she knows?? That advice always frustrated me. Why do female authors always get that advice? Why is there an assumption that they should stick to writing about their own lives, rather than exploring all sorts of exciting alternatives? There’s nothing wrong with writing about one’s own life, of course, but it’s often treated as the sole option for the female author. While I think there is a nice rounding out of the themes in Rory writing about her mother and herself, I miss the Rory who went out on the campaign trail with Obama, who wanted to be in trenches reporting on wars. I actually wouldn’t have even minded a Rory who took the Stars Hollow Gazette to great new heights, whiskey in her desk drawer and all. She could still be a contender. She loves that paper.

In my mind, I’m just going to imagine that she remains as editor of the Stars Hollow Gazette, gets motivated by those last four words, and digs in and makes a life for herself with or without a baby.

giphy-1

 

*In terms of Anne of Green Gables, this picks up on the miniseries with Megan Follows.

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